Every image in the Alterlibrary collection is intended as a quote, an excerpt of a larger discourse. But every image also stands as a matter that could undergo a series of operations and alterations. Therefore, images are renewable sources.
Operations: Extraction and Collection. Image alteration: none.
This is an original image from the long-term documentary archive Ius Soli, which explores the archaeology of the present in the Mount Vesuvius Red Zone. The so-called Red Zone encompasses 25 municipalities and could potentially transform into a vast archaeological site in the event of an eruption. The image is a digital file printed on transparent plexiglass.
Tessuto non tessuto is a black fabric used in archaeology to demarcate and protect archaeological ruins after excavation for preventive purposes. The particular tessuto non tessuto in this photograph punctuates the soils of Mount Vesuvius’s so-called Red Zone, around the towns of the inland cities home to small clothing industries. Dumps of manufacturing remains are illegally left all over the soil to avoid the normal waste treatment process. The stratification of industrial waste treatment issues is depicted in its first layer.
Since the collection invites us to reflect on how images that might appear purely documentary are, in fact, layered with interpretation and cultural baggage, Tessuto non tessuto clearly states that images sediment fragments of reality, individual and collective points of view, and cultural values. At the same time, the work seems to turn the question back to the viewer: How do we read them?