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Here, Here IV, Altered
# 2

Jone Kvie, Here, here VI

Every image in the Alterlibrary collection is intended as a quote, an excerpt of a larger discourse. But every image also stands as a matter that could undergo a series of operations and alterations. Therefore, images are renewable sources.

  • Operations: Extraction (photograph of a photograph printed on a catalogue) and Collection.

  • Image alteration: Texturing. The original image came from a printed catalogue, where it was first photographed and converted into a digital file. That digital file was then processed using a program developed by a graphic designer called Texturing, designed to extract textures from an image and generate new “visual material.” In effect, what began as a photographic source is turned into a sort of graphical fabric that can be reused for other creative purposes. This amounts to a recycling of the original visual “matter,” transforming it into a different kind of resource suitable for further design processes.

Jone Kvie's original sculptural piece combines natural materials that bear silent witness to geological and biological processes. Volcanic tuff-rock, lichens, moss, pine needles, and iron converge into a single form, suggesting a dialogue between organic growth and the elemental forces shaping our landscapes. The main structure of the sculpture is a volcanic rock collected by the artist and temporarily displaced in an exhibition space during Documenta Kassel 2022.


Invitations to contemplate
  • why did I collect this image
  • What if everything is entangled? 
This image is part of the collection
  • Spaces of Coexistence in the Future, in the Past
Keep exploring
  • My partner Rusten Hogness suggested compost instead of posthuman(ism) (a thought tradition that criticises the role of the human at the center), as well as humusities instead of humanities, and I jumped into that wormy pile.  Human as humus has potential, if we could chop and shred human as Homo, …
  • Oasi dei Variconi, Campania, Italy (Google Images).
Informareonline Oasi Dei Variconi 1
# 4

Oasi dei Variconi, Campania, Italy (Google Images).

Every image in the Alterlibrary collection is intended as a quote, an excerpt of a larger discourse. But every image also stands as a matter that could undergo a series of operations and alterations. Therefore, images are renewable sources.

  • Operations: Extraction and Collection. Image alteration: none.

The Variconi Oasis is A brackish pond recognized as a wetland of international importance. This particular image is uncredited and comes from the largest public archive available to humanity: an online image search. Despite the ecological significance of this wetland, very few wide-view photographs are publicly accessible. The aerial perspective in this case—almost schematic and abstract—offers a glimpse into a protected site almost looking like a geographical map.

Invitations to contemplate
  • why did I collect this image
  • What if everything is entangled? 
This image is part of the collection
  • Spaces of Coexistence in the Future, in the Past
  • Imagine an Ecosystemic Europe
Keep exploring
  • We would ask to transform and reform the modalities of membership by which the city (cité) belongs to the state, as in a developing Europe or in international juridical structures still dominated by the inviolable rule of state sovereignty […] This should no longer be the ultimate horizon for citie …
  • Giovanni Ambrosio. Please do not show my face. Chapter: Thresholds. Untitled.
of our Imagination